“If Just in Time delivers—and if Goff’s Darin is as electrifying as people are saying—it might be more than just a great performance. It might be one for the record books.”
Read More“Happy birthday, Gavin. We miss you. We celebrate you. We still hear you singing.”
Read More“These revivals maybe didn’t run long, or win big, or trend on theatre social media —but absolutely deserve more love.”
Read More“The dynamic duo best known for playing Bill and Ted, everyone’s favorite time-traveling slackers, are trading in their phone booth for a barren tree and the bleak existential ramblings of Samuel Beckett. And I, for one, could not be more excited.”
Read More“If you find yourself unable—or unwilling—to meet this moment in theatre, maybe you’re not the one who should be writing about it.”
Read More“I hope Masquerade doesn’t just replicate the Broadway version of Phantom in a new setting. I hope it reimagines it. Deepens it. I want this version to haunt me, not just entertain me.”
Read More“Leslie Odom Jr. returning to Hamilton as Aaron Burr this fall? That’s not just a wink. That’s a standing ovation before the curtain even rises.”
Read More“With Smash arriving on Broadway, and Schmigadoon! coming soon, it has me wondering: could this open the door for more musical TV shows to make the leap from screen to stage? Because I’d like to throw Glee and Crazy Ex-Girlfriend into the mix.”
Read More“It’s okay to share excitement. Theatre is meant to be felt in the moment, and I’ll always cheer for joyful, immediate reactions. But maybe we can hold off on the official reviews until opening night.”
Read More“We talk a lot about what Broadway “needs”—more innovation, more diversity, more risks, more fun. Boop! seems to check every one of those boxes.”
Read More“His musicals weren’t about my identity exactly, but they made room for it. They said, “You’re not too much.” They said, “Your feelings are valid.” And that meant the world to me.”
Read More“I believe Nick Jonas loves theatre. His Broadway debut in Les Mis, his run in How to Succeed, his commitment to live performance—it’s all real. But this role? It’s unforgiving. So yes, maybe it was a mistake.”
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