“With an emotionally powerful finale, top-tier talent, and stunning production values, Wicked: For Good could be the film to beat in 2026.”
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“Twenty-five years ago, a group of young dancers pirouetted onto our screens, and Center Stage became an instant classic”
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“As Wicked continues its meteoric rise, it offers a simple but powerful message to Hollywood: audiences are ready to embrace movie musicals. And if studios are willing to invest in them, these productions could defy gravity at the box office for years to come.”
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“The decision to split Wicked into two parts is more than just a logistical choice; it’s a celebration of the story’s depth and magic. It was also a financially savvy decision that ensured long-term profitability while giving audiences an unforgettable cinematic experience.”
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“As excitement builds for the upcoming Wicked movie, a pressing concern has emerged: will theater audiences respect the cinematic experience or will the urge to belt out Defying Gravity be too much to resist? To those planning to attend: please, do not sing during the movie.”
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“Descendants” is now adapted and licensed for schools to perform. Because the musical left off so many good songs, we wanted to get into the entire catalog and rank from best to worst. “
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“West Side Story, released in over 2,800 theaters this weekend, earned only $10.5 million at the box office this weekend, underperforming even modest estimates. 2021 has been a disaster for the future of musicals in movie theatres, with three musicals wildly underperforming expectations, with 2 of them having strong critical praise.
So what do we make of this?”
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“There are 20 film adaptations and some remarkable performances to note, namely Alastair Sim, Bill Murray, and, Jim Carrey, among many other live-action and animated versions. So why is the one featuring the Muppets the definitive ‘A Christmas Carol’ movie?”
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“I have to admit, there was a lot more tenderness, depth, and sincerity here than I’d initially anticipated.”
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“In the midst of this weird decade for animation, in 1987 a film came out that I would later realize had a huge impact on my love of singing and dancing, The Chipmunk Adventure.”
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“It’s not that a musical can’t ever translate well on screen. Grease, Rodger and Hammerstein’s Cinderella, Annie, West Side Story, Hello Dolly! – these worked. I also have hope for other upcoming adaptations, such as Lin Manuel Miranda’s In the Heights. In cases like these, the switch in medium makes sense and serves an artistic purpose. For Spelling Bee, it has the potential to do the opposite.”
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